Fzn Frezn je zgodan mali fontić u kojemu je svaki znak iscrtan na novo, bez ikakvih matrica. Sadrži alternative znakove koji ga čine pomalo nasumičnim.
Fzn Frezn is a nice font in which each single character is drawn anew, without the usage of any kind of matrix. It features contextual alternatives as to make it seem more random.
Kao monospaced font, ali u 3 širine. Širine su određene tako da A + A = B, A + B = C. Po difoltu je sans serifno, ali ima stilističke altnernative za serifno.
Something like a monospace, but in 3 widths. Widths are determined so that A + B = C. By default it is a sans serif, though it has stylistic alternatives which transforms it into a serif typeface.
Monospaced tipografsko pismo, kao rukopisno, po uzoru na pisaće mašine. Malo uništen kod prebacivanja (čisto da mu da malo) i pisan je na Note-u. Ima Regular i Regular italic rezove, a ima i stilističke setove. U italicu, osim alt. "a" i "g" može se uključiti i script. Ima i ligature, naravno.
A monospaced typeface, a bit hand drawn, inspired by typewriters. It's a bit messed up by tranfering from one program to another (just to give it an extra kick), and by drawing it on a Note phone. It consists of Regular and Regular Italic cuts, and accompanying stylistic sets. In the italic, besides the alt. "a" & "g", you can turn on cursive "mode". It has ligatures as well, of course.
Bezkontrastno serifno pismo. Malo inspirirano Copperplateom, malo Gordianom malo raznim renesansnim i ovim novim kao ludim a old skul. Crtano za Nono – art festival fažanske udruge mladih. Za Kasarnu. Ali se vjerojatno neće koristiti za to.
No-contrast serif typeface. It's inspired by these new semi-trash typefaces that are kind of edgy, kind of old school, a bit by Copperplate, a bit by Gordian. Drawn for Fažana Youth Association's art festival &ndsah; Nono. For Kasarna. But it probably won't be used for that.
Sans koji je tu (?). Dobio ime po Fažani. Ima nekoliko širina i debljina, crtan za Kasarnu. Koristi se. Ima i jedan rez koji je kao fol za tekst, da malo bolje legne.
Sans that's here (?). Named after Fažana. It has a few widths and weights. Drawn for Kasarna. It's in use. It has a cut adjusted for continuous text.
Sans koji ima regular, regular italic, bold, bold italic i opet sve to za condensed verziju. + display (koji je ful debel).
Sans that consists of regular, regular italic, bold, bold italic, and all these cuts for the condensed version as well. + display (which is very fat).
Bezkontrastno monospaced sans serif. Ima tri širine znakova. Crtano za Arterija festival. Fzn Artija Streets ima znakove za crtati kao karte.
No-contrast monospaced sans serif. It has three widths for each glyph. Drawn for Arterija festival. Fzn Artija Streets has glyphs with which you can draw some maps.
Crtan po par znakova sa nekog novčića ili tako nečeg. Čudan. Ima nešto alternativnih znakova, nema kurenata, ali ima dosta uzoraka.
Drawn from a few glyphs found on a coin or something like a coin. Peculiar. It features some alternative glyphs, no lowercase, and a lot of patterns.
Tipografsko pismo crtano kako bi stvaralo neku teksturu (jer slovima treba gledati kakvu teksturu tvore, zato se i zove tekst(ura)). U biti ne niti teksturu, nego samo linije kao plceholder text. Slabo-do-ne čitljivo. Ali kul izgleda. Ima 3 reza: popunjeno (regular), izbušeno (medium) i rupe (bold). Tako da se može i kombinirati, još ako nabaciš neki offset na jednom sloju izgleda sasvim solidno.
Typeface drawn as to make a texture (beause you have to look at the text texture, that's why it's called text(ture)). Well not as much a texture as just some lines for placeholder text. Low-to-no readability. But it looks cool. It contains 3 cuts: filled (regular), punctured (medium) & punctures (bold). So you can combine them, and if you offset one of the layers it looks pretty decent.
Kontrastno serifno pismo translacijske konstrukcije. Fazan fontovi baš i ne pokrivaju italic, a italic ti često treba za prelom i šta god. Ovo je 2. iz serije italic Fazan fontova. Ima nešto zanimljivih detalja (e, k, y, K, Y). Možda je i malo kaligrafski.
Broad nib pen contrast serif typeface. Fazan Fonts don't cover the italic spectrum well, and one needs italics when working with books and what not. This is the 2nd typeface from the italic series. It has some interesting details (e, k, y, K, Y). It's a bit caligraphic as well.
Monospaced fontić sa nekoliko alternativnih znakova. Geometrijke konstrukcije. Ima ligatura, lijepo se ponaša u tekstu, iako daje jaaako svijetlu teksturu. Dosta je tanak i prozračan. Djeluje mehanički, ali i nekako prirodno. Ima malo neočekivano "s".
A monospaced little bugger with a few alternative glyphs. Geometric construction. It features ligatures, and behaves in running text, although it gives a veeery light texture. It's quite thin and airy. Feels mechanic, but at the same time somewhat natural. Ah, and it has an unexpected "s".
Fleischman stil fontić. Malo čudno i nezgrapno ali solidno šljaka. Ako ti treba nešto u tom Fleischman stilu, ali da nije nešto šta već svi koriste, i da suptilno uništava tekst, Fzn Zarigo je za tebe. Inače crtan za katalog izložbe Iza velikih dalekih ranina, izložbu održanu u galeriji Rigo (zato se i zove Za Rigo).
Fleischman style font. A bit odd and awkward but works pretty well. If you need something like Fleischman, but not widely used (well, practically not used at all), something that subtly "destroys" the text, Fzn Zarigo is the font for you. It was drawn for Behind the Vast Distant Plains exhibition catalogue, exhibition held at Rigo gallery (hence the name Za(for) Rigo).
Geometrijsko tipografsko pismo s mnoštvom alternativnih znakova i puno karaktera. Malo razlomljeno, malo cut-paste, ruke. Malo fotokopirka.
Geometric typeface with lots of alternative glyphs, and plenty of character. A bit broken, a bit cut-paste, hands. A bit of photocopying.
Izgleda kao nešto što bi neki nono nacrtao (ako nono nije typedizajner). Verzali su (uglavnom) obrnutih kontrasta, serifni, i dosta kvadratni, kurenti su script, brojevi su klasični sans. Zvuči (a i izgleda na prvu) jako čudno i nikakvo, ali je prolazan kad nešto u njemu prelamaš. Za neke display primijene je možda bolje koristiti samo verzlae ili samo kurente ili samo brojeve. Ali, ako kupiš, radi šta ćeš, ovo je samo naše mišljenje, i to mišljenje procijenjujemo na 3 soma eura.
It looks like somehing drawn by a grandfather (provided said grandfather is not a type-designer). Uppercase letters are revrse contrast (most of the time) serif, quite blockish, lowercase letters are script, and the numbers are classic sans. Sounds (& looks at the first glance) queer and dreadfull, bit it's nice once you start using it. For display applications it might be better to use only upper (or only lower) case letters, or only numerals. I mean it's just a suggestion (worth 3,000 EUR), if you buy it you can do what ever the hell you want.
Zezancija u 3 širine – Condensed (medium + bold + slab serif bold), Normal (thin + bold), Expanded (bold). Znači 6 fontova. Ima O.K. rješeno "G".
Fooling around in 3 widths – Condensed (medium + bold + slab serif bold), Normal (thin + bold), Expanded (bold). All together 6 fonts. The "G" is quite O.K.
Izveden je iz vježbi pisanja širokim perom (otuda i naziv Potez). Sadži alternativne znakove – znakove rastavljene iz poteza, kada se presloje vide se pojedinačni potezi potrebni za konstrukciju znakova.
Drawn from broad pen writing exercises (hence the name Potez – the Stroke). It contains alternative glyphs – glyphs deconstructed to basic strokes which, when layered, show the strokes of which each glyph is made.
Teška zezancija. Geometrijski. Spekulativni font. Ima neke OpenType cake, verzale su dosta pokradene, kurenti su blago rečeno čudni, kerning i spacing mrtav. Bezserifno pismo, sasvim O.K. za neke 16pt + veličine. E, i brojke su jednostavno gadne.
Messing around. Geometric. Speculative font. There are some OpenType tomfooleries, upper case letters are pretty much copied, lower case letters are—to put it mildly—weird, kerning & spacing is horrific. San serif typeface, decent at 16pt + sizes. Oh, and the numbers are straight up ugly.
Crtan po (valjda) drugom ikada roman tipografskom pismu za tisak – Rome, 1467 (Sweynheym i Pannartz). Neke stvari pretpostavljene, neke ispravljene (dodano kao alternativni znakovi). Ima i rimske brojke.
Drawn after (supposedly) second ever roman printing typeface – Rome, 1467 (Sweynheym & Pannartz). Some stuff was assumed, some corrected (added as alternative glyphs). It features Roman numerals as well.
Bezkontrastno bezserifno tipografsko pismo. Modularno složeno, geometrijske konstrukcije. Lagana kopija Knockouta i sl. pisama. Ima nekoliko alternativnih znakova (a, g, s). Dosta je usko.
No contrast sans-serif typeface. Modular/geometric in construction Modularno složeno. Inspired by Knocout and similar typefaces. Has a few alternative glyphs (a, g, s). It's quite narrow.
Započeto za izložbu o ponotonuću broda SMS Szent István, ali neće na kraju biti za to. Inspirirano slovima korištenim u Habsburškoj monarhiji (kao u nekih službenim primjenama). Malo baca na Delvard, zbog par znakova i stila (secesija bila u điru). Bezkontrastno bezserifno. Ima alternativnih znakova.
It started as a typeface for the exhibition about the sinking of SMS Szent István Tegetthoff, but it won't be used for that. Inspired by typefaces/lettering used in Habsburg monarchy (some kind of official usage). It resembles Delvard a bit, because of a few glyphs and the overall style (secession). No contrast sans serif. There are some alternative glyphs.
Tu-i-tamo-kontrastno bezserifno tipografsko pismo. ModuLARno (kuiš). U stilističkim setovima su znakovi rastavljeni na module pa kada se slojevito slaže može biti O.K. I inače je O.K., ali samo kažem da se i tako može isto napraviti nešto O.K. Znam, probao.
At-some-points-contrast typeface. ModuLAR (see what we did there). Stylistic sets contain glyphs broken to the modules which, when used in layers, can result in a nice texture. Not that it doesn't look nice without the usage of stylistic sets, it does, I'm just saying it look good both ways. I should know – I've tried it.
Znači pišeš neki tekst i kao gradiš zgradu. Činilo mi se kao ok fora pa iskoristiti za nešto. Još ništa od toga. Ima i slova i brojeve i sve.
So, you write something, and you're building a house. Seemed like a good idea. Still not used though. It has letters and numbers and everything.
Visoko kontrastna expanzija crtana po Sardonica tipografskom pismu (Denis Sardoz). Visoki kurenti, a ima i nešto alternativnih znakova, a ima i malo lomardijske verzale kako bi ostao vjeran originalu.
High contrast pointed nib typeface inspired by Sardonica typeface (Denis Sardoz). Hight x-height, and it has some alternative glyphs, most notably the Lombaric capitas, as to stay true to the typeface it is inspired by.
Italic font gdje se znakovi recikliraju. Debel, nizak, simpatičan (malo). Obli. Kotrlja se lijeno preko stranice. Slabo čitak.
Italic font in which the glyphs are recycled. Fat, short, charming (a bit). Round. It slowly rolls over the page. Low readability.
Monospaced font ispisan digitalnim širokim perom. Nema razloga, samo – eto, činilo mi se ok napraviti pa kako god. Djeluje malo gupo ovako kad gledaš i čitaš ovo, ali je zapravo zakon.
Monospaced font written with a digital broad pen. No reason to it, just ... well it seemed like a good idea at the time to try something like that. It might look stupid here, while reading this, but it rocks.
Ovo je drugo pismo po istom principu – nacrtati slova koja se nadovezuju jedno na drugo (a da nije script). Samo verzale. Inspirirano letteringom za jedan NOB spomenik. Pun ligatura. Skoro monospaced tako da se normalnije slažu vertikalno.
This is the second typeface with the same priciple – to draw letters that are connected (and not as a script). Capitals only. It was inspired by lettering for a PLS (or is it PLW?) monument. It heavily features ligatures. Almost monospaced for vertical stacking.
Rukopis, maaaasu znakova, latinica, glagoljica i ćirilica. Ima foru da se mjenjaju slova pa izgleda malo više kao ruokm pisano. Hrpa OpenType fičrsa. O.K. je u tekstu, O.K. je za neke naslove. Small caps čak i za brojke.
Handwritten, a looooot of glyphs, Latin, Glagolitic, and Cyrillic. In Latin, glyphs alternate between three alt. glyphs, makeing the text feel a bit random. A lot of OpenType feats. It's O.K. in text and for titling. Small caps even for numbers.
Debeli stencil, samo verzale, poprilično ligatura. O.K. je. Dobro izgleda kad ima masu teksta. Ima foru da slova kao nestaju, rastavljaju se/raspadaju kao.
A fat stencil, uppercase only, with quite a few ligatures. It's O.K. I guess. It looks good when there's a lot of txt. There's an OpenType (calt) feat you can turn on – to make the letters disappear/get deconstructed.
Monospace pismo sa masu znakova. Dostupno samo za web. Jedan rez. Neki su znakovi (m) duplo širi tako da se ne guraju. "r" ima calt, tako da kad je ispred "o" i sl. znakova bude malo duže pa ne lomi riječ. "f" pored verzala je uže da se ne preklapa. Ima i alternativnih znakova.
Monospaced typeface with a lot of dingbats. Available for web only. Single cut. Some glyphs (m) are dubble the width so they wouldn't squeez. "r" has an contextual alternative when near glyphs similar to "o", so the word doesn't break. "f" has an calt as well when neat uppercase (it's narrower). There are a few alt glyphs as well.
